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The Script, Edition 5 - May 2011

Hello theatre lovers!
Its hot and will only get hotter - and I ain't talking about the weather. The theatre scene is scrorching this month with plays in every genre for everyone from your 5 year old to...well however old you'd like to be!

And if it's hot is must be Summertime at Prithvi - the annual children's theatre festival with workshops and plays. This years plays seem to have classical bent. Lots of great plays are being retold for children:
Nasseuddin Shah directs George Bernard Shaw's satire 'Arms and the Man', Proscenium present a version of Becket's Waiting for Godot in 'Two Blind Mice', Ranga Theatre merge two legendary stories in 'Wonderland - The Alice and Don Quixote Story' and the ever prolific Akvarious retells the story of 'Peter Pan'.
There are some old favourites also returning to the Summertime festival like 'Suar Chala Space Ko', 'A Special Bond Part 1 & 2' and 'About Ram'. Oh to be a kid again!!

NCPA seems to have been re-energised and have created a new festival for Hindi theatre 'Anand' which makes its debut this month with productions from Rangbaaz, IPTA and Yatri.

We at QTP are taking the summer off. We think it's more fun to be in the audience with the kids than on stage for them. Our Thespo initiative of last year Dramabaazi unfortunately had to be cancelled at the last minute due to unavoidable circumstances. We hope to bring it back next year.

Also momentum is building on for Thespo 13 and we have shows of our new play Nostalgia Brand Chewing Gum coming up in July.

Last month's quiz resulted in a great many winners. What phrase is used in theatre to describe lines improvised by an actor? 68% guessed correctly - 'Ad Lib'. Well Done!

In this month's issue our articles scrape the ceiling a little bit with a report on Broadway's Spiderman, a note on Peter Pan and the explots of high flying stalwarts like Nadira Babbar and Pt. Satyadev Dubey.

Here's what you can look forward to this month:

Trivia Time
: Fly Men
Great Text
: Mrs. Warren's Profession by George Bernard Shaw
Thespo at Prithvi: A wrap up of April.
Thespo 13: We're Hiring!! Get involved.
Point of View: Priti Bakalkar reviews Ekjute's 'Begum Jaan'.
4 Corners
: Himanshu Sitlani has spondilitis from watching 'Spiderman - Turn Off the Dark' on Broadway.
Dolly Thakore's 'Life in Theatre': Dolly Thakore attends the Padma Bushan ceremony for Pandit Satyadev Dubey.
AK's Various Thoughts: Boxers, 40 shows and Peter Pan.
Up & Coming: Complete Schedule of what to watch in May.
Theatre Training
: Workshops for children, adults, and everything in between.
Other Theatre News
: Casting opportunities, NCPA Ananda Theatre Festival,
Curtain Call: Richard O'Brien on his job situation at the theatre.

Yours Sincerely,
On Behalf of Q Theatre Productions,

Himanshu.
Editor, The Script

Theatre Trivia - Fly Men

FLY MEN

Contrary to popular belief this is not the instructions that a Catholic aunty gives to pigeon in her balcony.

A Fly Man in theatre terms is a person who is part of a Fly Crew - the guys responsible for all the stage scenery that descends from above the stage.

The responsibilities of a fly crew include bringing battens in and out, keeping the fly system linesets in balance, and ensuring that the fly system's rope locks are applied when the associated linesets are not moving.

During a show, predefined cues may require flymen to operate the fly system at high speeds and with great precision.

The scenery used in shows can weigh up to one tonne and may be flown in at speeds approaching 30 miles per hour and stopped at stage level without hitting the deck.

It is an incredibly special skill and often takes years to master. It is rightly considered an art form in its own right.

Loaders are special flymen who work high above the stage in the grid, adding or removing counterweights from the fly system.

The job is often dangerous and carries a high degree of risk due to the large amount of weight and great heights involved.

A run-away line, for example, might injure the operator or others in the way of the moving equipment, and a counterweight dropped from the grid could kill or injure a person standing below.

When the crew adds or removes counterweights they are often working at heights of six stories or more in the area above a stage known as a fly loft, or grid.

Historically, off-duty sailors were used as fly crews in theaters because they had comprehensive knowledge of knots and ropes due to their experience with sails. They communicated with one another using high-pitched whistles.

Because of this, whistling was not allowed in theaters to prevent it from accidentally being interpreted as a flyrail command.

That is where the superstition emerged that it is 'bad luck' to whistle in a theatre.

Great Text Reading - come read a play with us!

On the last Monday of every month people meet in Q's drawing room to read a play they may have heard of but not necessarily have read. Writer's come to see how the greats wrote, actors come to play multiple parts and theatre lovers come because it keeps them in touch with the art form. It is open all and everyone takes turns in playing characters from the play. Discussions ensue after over tea and biscuits.

In the month of April, we announced a new innovation at Great Texts. Each three months will be marked with a particular theme. So April to June, the theme is: GEORGE BERNARD SHAW. Last month, we read one of his most famous works, Candida, a comedy about the Victorian notion of love and fidelity.

Clearly Shaw is a popular choice. The drawing room was packed to capacity and the play was well appreciated. There were quite a few chuckles during the reading and the pacing of the writing added to the overall enjoyment. In the post reading chat, many remarked at the relevance a play written in the 19th century still had to us and our society, particularly the existing gender politics.

In May we continue our journey with Shaw by reading Mrs. Warren's Profession -
about a middle-aged woman whose Cambridge-educated daughter, Vivie, is horrified to discover that her mother's fortune was made managing high-class brothels.

The play was originally banned by the Lord Chamberlain (Britain's official theatre censor) because of its frank discussion and portrayal of prostitution, but was finally first performed on Sunday, January 5, 1902, at London's New Lyric Club with the distinguished actor-manager Harley Granville-Barker among the cast. (Members-only clubs have always been a device to avoid the eye of authority, but actors often also use it to invite their fellow-artists to a private showing of a play, usually on Sundays, when theatres are closed to the public.) The first public performance in London took place in 1925.

A performance in New York, this time on a public stage in 1905, was interrupted by the police who arrested the cast and crew, although it appears only the house manager of the theatre was actually charged. The play has been revived on Broadway five times since, most recently in 2010.


So come to an evening of playwriting and prostitution on 30th of May at 7:30pm at 18 Anukool, Sq. Ldr. Harminder Singh Marg, 7 Bungalows. Next to Daljit Gym. All are welcome. If you need directions call Varrun on 26392688 or 9930666332.

Thespo at Prithvi

Thespo at Prithvi was started in 2007 to provide a more regular showcasing of the best youth theatre talent in the country. Thus every first Tuesday and Wednesday each month, the next generation of theatre wallahs stride across the hallowed Prithvi stage.

April saw two separate performances on two consecutive days.

Choukuni Varthul, a Marathi play that had impressed the screening committee but had not been short listed for Thespo 12 was staged on the 5th of April. The play had a powerful performance by Ajit but unfortunately the rest of the cast seemed a little under rehearsed.

Day two saw two short plays combine to become one powerpacked evening of entertainment. IIT Powai's Nalli Ke Kutte made up the first half and Zaahir's Spiral Bound made up the second half of an evening called Split Second. The response was stupendous. Not a seat available and both plays were very well appreciated.

Since it's the children's season there will be no Thespo at Prithvi in June. Watch this space for our July line up.

There are still options for performance at Thespo at Prithvi. If you have a short 15 to 20 minute piece that you think can work well outside the main space then do get in touch with us.

If you have a play that you think can work in the outdoor areas of Prithvi Theatre, email us at tap@thespo.org


Thespo 13 - We're Hiring!

Work has already begun for India's premier youth theatre festival, which is now a teenager.

We proudly present to you

THESPO 13

We are on the look out for Volunteers who are interested in Marketing and PR and various other positions.

If you think you are what we're looking for, email us at: thespo13@thespo.org

Point of View - Priti Bakalkar reviews Ekjute's 'Begum Jaan'

Begum Jaan

I had a dry spell as regards watching plays for last two months. There were a lot of shows which I had marked as “I want to watch” but could not be watched for some reason or the other. So finally, when the Good Friday week-end came I booked myself for Begum Jaan which was being played at Prithvi as a part of Ekjute Festival. Thankfully, I had booked online because the show was completely sold out! Apparently, so was the later show!!

Begum Jaan, is a simple story of this extremely famous classical singer of yesteryear (popularly known as “Begum Jaan” played by Nadira Zaheer Babbar) and her twenty something grand-daughter Zarina (Juhi Babbar) and journalist Sanjay Pande (Anup Soni) who wants to write Begum Jaan’s biography. and the interpersonal relationship of these three characters. It also makes a comment in passing on the politics of pre-independence and post-independence India.

Begum Jaan, being a classical singer from Lucknow (and of course, Javed Siddiqi being the writer), the language of the play was heavy on Urdu. In spite of my few lessons in Urdu many years back I found it a little difficult to keep up with what was being said; especially when Begum Jaan commented on the India during pre-independence times and the difference in political leadership now and then. I felt that the commentary was not relevant to the context of this story so it felt very superficial to me in spite of the strong words which wowed a lot of audience members.

It was very interesting to watch how this iconic singer who had been a witness to glory and fame is living a life of anonymity but yet hasn't lost her sense of humour. She is proud of her achievement and does not regret anything in her past. She is slightly bitter but not about her own state of affairs but about the downfall of the values and the lack of political will in the Country. She is one of those rock solid people who can find a way through any difficulty - a true independent woman. It was joy to watch Nadira Babbar reminiscing about the bygone era, worrying about her granddaughter’s future and holding her ground to the various attempts of Sanjay to get a catch hold of the controversial letters. She was loving, cunning, charming, scheming, entertaining but above all she was Begum Jaan. It was completely her show.

However, Juhi Babbar as the daughter felt a little mis-cast. Anup Soni has been one of my favourite TV actors but watching him on stage was painful. Actually, watching both of them on stage was painful. Someone needs to tell them that on stage a scene is not made of “shots”. There was one classic freeze moment towards the end of the play when Zarina is reprimanding Sanjay. She tells Sanjay something to the effect that even if she is penniless, she has her self-respect and wisdom gained from her grandmother. It is a beautiful line. But when she “delivered” her line and held the “pose”, I felt like screaming “cut” from my seat. Nevertheless, her transformation from indifference towards Sanjay to falling in love with him to indifference again was interesting. So also, whenever she shared space with Nadira Babbar, they exuded warmth of the grandmother-granddaughter relationship.

There were a few glitches but there is one thing which I really want to mention. I have seen this in many other productions also and I just do not understand why such small things are not taken care of. I mean you are taking pains about detailing of the set, costumes, the language, the dialect then why can you not serve water in a glass when you mean to be serving water or for that matter tea / coffee? Why the glass or the cup is empty?!!! There was a scene between Juhi and Anup where Juhi goes to serve water to him and he turns suddenly towards her. It gives a start to her and she almost drops the glass. Now, if there was water in the glass, it would have spilt on her and may be it would have lead to another scene altogether (if you know what I mean!). But nothing happened because there was no water in the glass!!

The best thing I loved about this show was the set. It was really a beautiful two level set showing the glory that once the place had seen. And of course, the music! A lot of old classical pieces were played during the show which was deeply appreciated by connoisseurs of classical music in the audience. At times the play became very melodramatic but the humour in the script has kept it from becoming tragic.

All said and done, Begum Jaan, undoubtedly, is a sincere attempt to appreciate all those artists who have enriched our lives with their talent. It is for those artists this play makes it a must watch.

4 Corners - Himanshu Sitlani catches 'Spiderman - Turn Off the Dark' in New York

SPIDEY ON STAGE

Last month, I mentioned that I along with the likes of Sid Kumar saw Spiderman The Musical on Broadway. A play which wasn’t on our 'must watch' list. But Q really wanted to see it and because he couldn't he requested us to see it. We managed to get a 35% discount on tickets courtesy TKTS and seats in the 6th row from stage, and so on our second last day in New York, we saw ‘Spiderman – Turn Off the Dark’.

The production playing at Foxwood Theatre has been four years in the making and is touted as the most expensive stage show ever. It has already created a record for the most number of preview performances before a show actually opens, which according to reports is still a while away. The delays have been because of the failure to sort out technical issues and injuries to multiple cast members.

The play started promisingly. Four teenagers are argue about the origin story of Spiderman. The only girl of the group, Miss Arrow, draws upon the Greek myth of Arachne – the most gifted of weavers, Arachne's bragging angered the goddess Athena, who challenged her to a duel at the loom. Arachne won, and out of spite, Athena destroyed her work, leading Arachne to hang herself. Athena, though, took pity on her and, as Arachne hung dying, transformed her into the world's first spider, who would live and weave forever. The rest of plot follows the pattern as seen in the Spiderman films. Geeky Peter Parker who’s in love with Mary Jane, gets bitten by the radioactive spider at Prof. Osborn’s lab and gets superhero powers. After the death of Uncle Ben in a car accident, Peter Parker decided to become Spiderman. Few things were modified to weave Arachne’s character into the play like Arachne being the one to give Peter Parker his Spiderman costume. Other departures from the plot were when Prof. Osborn (who believes Spiderman was a product of someone stealing his research), conducts an experiment on himself, which goes wrong, accidently killing his wife and thus becomes The Green Goblin. Good vs Bad scene happens and the Goblin is killed. This was Act 1. Decent fun.

Act 2 - Spidey defeats the Sinister 6 (which included a made up super villain called Swiss Miss who was made of metal…don’t ask!!). At this point Arachne keeps appearing in Peter's dreams. In order to free her from her curse, Spiderman must defeat and kill her. But Parker, facing losing Mary Jane and also suffering economic hardships can't balance his life and being Spiderman and decides to stop being the superhero. Arachne thus creates the illusion of a returning Green Goblin and Sinister 6 and forces Peter to return as Spiderman. After Arachne kidnaps Mary Jane, Peter returns as Spiderman defeats Arachne but does not kill her. Arachne commends Spidey on not doing so but still receives her break from the curse (still figuring out how and why!) and the play ends happily.

While Act 1 was fun, Act 2 was quite a disappointment. Sid Kumar struggled to keep awake during Act 2 until THE INCIDENT! During the fight sequence between Arachne and Spiderman, there was a technical problem where the actor playing Spiderman’s cable had some issues and he was stranded in mid air. There was a pause and an announcement about a mechanical problem and we will be back shortly. But was heart warming was that the 1000 odd audience members were very supportive of the entire thing and cheered for the actors. The actors too, not breaking character took it in their stride and passed some snide remarks to each other and resumed exactly where the scene broke off. Truly one of the moments you were glad to be in the theatre.

Oh yes, the flying aspect of the show was quite fun. Using the spidercam technology we see in cricket matches, the actors flew around quite a number of times to the screams of children and amusement of adults. I must say its quite something too see actors flying over your head and across the theatre and to and fro from balcony to stage.

Two particular scenes stood out. The origin story of Arachne, the creation of a weave as a backdrop, a suspended woman who hangs herself and out of nowhere gets these spider legs was really really beautiful. The other happened after Arachne kidnaps Mary Jane, the montage of Spiderman trying to get his powers back, was a dance sequence where 7-8 actors were in Spiderman costumes.

Some scenes however were just, for a lack of a better term, appalling. Peter after getting his powers goes to the wrestling match to earn some quick bucks. The wrestler was nothing more than an 8 feet blow up doll. Even some of the sets were nothing more than cardboard cutouts. The costumes overall went from good to out right bad. While Spiderman and Green Goblin were good, I cant even explain how weak the Sinister 6 costumes were.

The music of the show was disappointing. Which is more surprising considering it was done by Bono and The Edge from U2. The theme song of the play ‘Rise Above’ was the only song that we remembered from the evening.

I know I've been nothing but negative about most aspects of the show. But I would still suggest that if you do get a chance to watch this show please do, because it is still a decent evening and yes you do expect a lot more considering its Spiderman on stage. But if you were like me and Sid who did see it but weren’t expecting to be blown away, it was fun. Spiderman and Green Goblin flying around and fighting in the aisles. Its your traditional comic book with all the ‘POW’S’ and ‘SPLAT’ coming to life. And whatever its worth, it will be talked about in years to come and I can say, I saw ‘that’ play.